Our Offering
Music your audience will remember
A film lives or dies in the cut between picture and sound. Whether you are filming a movie, building a trailer that has to land in 90 seconds, or licensing a track for a short. Every option starts from the same principle: the music has to belong to your story alone.
Music your audience will remember
A film lives or dies in the cut between picture and sound. Whether you are filming a movie, building a trailer that has to land in 90 seconds, or licensing a track for a short. Every option starts from the same principle: the music has to belong to your story alone.
Film Score
Original scores composed scene by scene. Underscore that carries emotion seamlessly through your story.
Learn more
Trailer Music
Captivating cues with clear sync-points, hits and drops, built for editors who need the music to do half the work.
Learn moreTrack Licensing
Heard a track in our catalogue you want for your film? Pick it, license it, easy and fast.
Learn more
From dark sci-fi factions to fantasy worlds — selected projects we've scored or are currently scoring.
Trusted Collaborators
Your story deserves more than generic music
Why directors work with us
Your story is alive, and our music make its' heart beat
- Original scores composed scene by scene, with no library cues forced into your edit
- Sync-point precision for trailer work, with hits, drops and risers placed where your cut needs them
- Stems and alternate mixes delivered by default for sound design, mix stage and rebalancing
- Reliable delivery dates your post-production schedule can build around
- Direct contact with your composer from spotting session to final mix
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Your story deserves more than generic music
Why directors work with us
Your story is alive, and our music make its' heart beat
- Original scores composed scene by scene, with no library cues forced into your edit
- Sync-point precision for trailer work, with hits, drops and risers placed where your cut needs them
- Stems and alternate mixes delivered by default for sound design, mix stage and rebalancing
- Reliable delivery dates your post-production schedule can build around
- Direct contact with your composer from spotting session to final mix
References
"Frameshift Music is an extraordinary partner regarding the Audio-Theme creation for our project. Their professional team exceeds with their service as they do their best to meet our high expectations. Furthermore, their music style is a perfect fit for the grim, dark setting of our IP "Syncanite Foundation" with its multiple factions that went alive on the audio level in this beneficial cooperation."
Timon Thöne
CEO Syncanite Foundation
References
"Frameshift Music is an extraordinary partner regarding the Audio-Theme creation for our project. Their professional team exceeds with their service as they do their best to meet our high expectations. Furthermore, their music style is a perfect fit for the grim, dark setting of our IP "Syncanite Foundation" with its multiple factions that went alive on the audio level in this beneficial cooperation."
Timon Thöne
CEO Syncanite Foundation
Filmscore
Original scoring for feature films, and series.
A film score has one job: serve the picture. We compose scene by scene, working from your spotting session, your cut and your director's intent. Every cue is written for the moment it lives in. Never pulled from a shelf, never shoehorned into a tempo it was not meant for. The audience will not hear our music. They will hear your film.
How it works
- Spotting session. We sit down with the cut and map every cue with you and your director.
- Sketch round. First themes and demos for your feedback.
- Revisions. As many rounds as your edit needs, within the agreed scope.
- Final delivery. Full mix, and stems for the dub stage.
Filmscore
Original scoring for feature films, and series.
A film score has one job: serve the picture. We compose scene by scene, working from your spotting session, your cut and your director's intent. Every cue is written for the moment it lives in. Never pulled from a shelf, never shoehorned into a tempo it was not meant for. The audience will not hear our music. They will hear your film.
How it works
- Spotting session. We sit down with the cut and map every cue with you and your director.
- Sketch round. First themes and demos for your feedback.
- Revisions. As many rounds as your edit needs, within the agreed scope.
- Final delivery. Full mix, and stems for the dub stage.
Trailer Music
Cues built for the cut.
A trailer has 90 seconds to make someone want to see your film. The music has to land every hit, lift every reveal and pay off the title card. And it has to do it on the editor's timeline, not the composer's. We write trailer music with sync-points built in, alternate edits ready, and the structural beats your editor needs already there. Riser, drop, button. Pick your cut points and the music is ready for them.
What you get
- Full mix plus stems, including orchestra, percussion, hits and designed elements
- Alternate edits and durations on request, from :30 to full cut
- Clean transitions and sync-point markers in the deliverable
- Constant rise of tension and perfect climax
Trailer Music
Cues built for the cut.
A trailer has 90 seconds to make someone want to see your film. The music has to land every hit, lift every reveal and pay off the title card. And it has to do it on the editor's timeline, not the composer's. We write trailer music with sync-points built in, alternate edits ready, and the structural beats your editor needs already there. Riser, drop, button. Pick your cut points and the music is ready for them.
What you get
- Full mix plus stems, including orchestra, percussion, hits and designed elements
- Alternate edits and durations on request, from :30 to full cut
- Clean transitions and sync-point markers in the deliverable
- Constant rise of tension and perfect climax
Track Licensing
Heard a track in our catalogue you want for your film? License it directly.
Every track we publish is available for individual licensing. Whether you need a single cue for a documentary, a piece for a sizzle reel, or a track to underscore a key scene in your short, you pick what fits, send us a short brief, and you have full-quality files and a written licence within two business days. Fairly priced for the scale of your project, cleared for the platforms you ship on.
How it works
- Browse our public catalogue and note the track or tracks you would like to use.
- Send us a message via the contact form. Tell us which track, the project, the format, and how long you intend to use it.
- Receive your offer, scaled fairly to your project's size and reach.
- Get full-quality files and a written licence ready to show your distributor or broadcaster.
Track Licensing
Heard a track in our catalogue you want for your film? License it directly.
Every track we publish is available for individual licensing. Whether you need a single cue for a documentary, a piece for a sizzle reel, or a track to underscore a key scene in your short, you pick what fits, send us a short brief, and you have full-quality files and a written licence within two business days. Fairly priced for the scale of your project, cleared for the platforms you ship on.
How it works
- Browse our public catalogue and note the track or tracks you would like to use.
- Send us a message via the contact form. Tell us which track, the project, the format, and how long you intend to use it.
- Receive your offer, scaled fairly to your project's size and reach.
- Get full-quality files and a written licence ready to show your distributor or broadcaster.
Contact Us
Ask for details without obligation, don't save any questions!
Get in Touch
Feel free to reach out and ask any questions through the contact form or directly via email.
Our Office
Address:
Chasseralstrasse 33, 3212
Kleingurmels, Fribourg, Schweiz
Email Address:
contact@frameshiftmusic.com